A few examples of appraisal values for
FIRST D SEE KATE

• Attr: Kate Greenaway (British,
  Attr: Kate Greenaway (British, 1846-1901) Two pencil drawings with watercolor wash, each initialed in the lower left "K.G.", framed together in one frame under glass with a double-opening mat, the sight size of each approx. 3-1/4" x 2-1/4", overall with the frame approx. 10-5/8" x 13-1/8". An old M. Knoedler & Co. label is affixed to the back of the framing.
• Folk Art Portrait (British School,
  Folk Art Portrait (British School, circa 1834), Kate (age 7 years) and Susie (age 5 years), Jackson, unsigned, titled verso, watercolor and gouache on paper laid on card, original backing board with inscribed label, 8-5/8 x 6-7/8 in.; 19th century wood frame.
• KATE GREENAWAY INK DRAWING OF A
  KATE GREENAWAY INK DRAWING OF A YOUNG GIRL United Kingdom,1846-1901Depicting a finely dressed young girl in hat and dress seated in a field on a tree stump.
• Kate Re, 20th-21st C American,
  Kate Re, 20th-21st C American, floral diptych paintings, oil on canvas, each signed "Kate Re 2009" on reverse, each 40" x 16", framed 40-1/2" x 16-1/2", very good condition
• Kae (Katherine) Dorn Cass (American
  Kae (Katherine) Dorn Cass (American 1901-1971) "Apples and Madonnas". Oil on canvas signed at the upper right corner framed in a painted frame overall 30-1/2" x 36". Title "Theresa" written on the frame.
• Kate Greenaway (1846 - 1901) little
  Kate Greenaway (1846 - 1901) little school girl; watercolor on paper; 2 1/4" x 1 1/2"; KG monogram LL.
• Kate & Rachel' Photograph - James
  Kate & Rachel' Photograph - James Van Der ZeeFramed black and white photograph of finely dressed black mother and child in the woods by Harlem photographer noted for NYC figural photos (1886-1983) with JVZ seal 1908 8.5'' W x 10.25'' H sight 16'' x 20'' framed with archival matting Prov. N'Namdi Gallery mint condition. Private collection Ft. Gratiot MI.
• 1 vol. (Greenaway, Kate.) Kate
  1 vol. (Greenaway, Kate.) Kate Greenaway Pictures, from Originals Presented by Her to John Ruskin and Other Personal Friends. London: F. Warne, 1921. 4to, orig. two-tone yellow & green gilt-lettered cloth; some spotting to spine, d/j (spine panel gone, occasional staining & chipping). Portrait + 20 mounted color plates, lettered tissue guards. Scattered light foxing to tissue guards.
• KATE ELIZABETH BUNCE (BRITISH,
  KATE ELIZABETH BUNCE (BRITISH, 1856-1927) 20" x 15 ¾" Portrait of Edith Macneile Dixon (née Wales), wife of William Macneile Dixon. Oil on wood panel, signed with the artist's monogram lower right, insignia "Fortuna Fortes Juvat (Fortune Favors the Bold)" upper right, label verso with title and artist's name and artist's address in Birmingham, in a gilt frame, overall 25" x 21 ¼".
• EDWIN THOMAS ROBERTS "KATE "KEARNEY",
  EDWIN THOMAS ROBERTS "KATE "KEARNEY", FRAMED OIL Edwin Thomas Roberts (British 1840-1917), "Kate "Kearney", undated, oil on canvas genre portrait depicting a red haired young woman resting in a flowering field, signed at lower left and titled and signed to canvas en verso, framed. Note: A painting of similar composition titled "A Summer Beauty", sold at Hansons Auctioneers Ltd., Etwall, UK, Country House Jewellery, Fine Art & Library Auction, April 11, 2019, lot 405. Canvas approx. h. 13.25", w. 9.5"; Overall h. 20.25", w. 16.75", d. 1.75".
• KATE STARLING (UT/AZ, 1956) "Aspens",
  KATE STARLING (UT/AZ, 1956) "Aspens", a winter scene, oil on canvas, signed, titled and dated 2006 verso; in a water gilt molded panel frame, OS: 32" x 28", SS: 23 1/2" x 19 1/2". Includes original 2006 receipt for $2,245 from Iron Horse Gallery of Park City, Utah.
• PR OF 19TH C. AMERICAN SCHOOLGIRL
  PR OF 19TH C. AMERICAN SCHOOLGIRL SENTIMENTAL DRAWINGS Kate Greenaway influenced, both on chamfered hardboard with inked figures on paper glued to black with white ink surround and captions "I don't care what a daisy says, I'm sure to get married one of these days" & "Gin a body Kiss a body, Need a body cry?", unsigned, 7 1/4" x 3 3/4" each. Scuffed, corners bumped.
• KATE ERICSON AND MEL ZIEGLER (AMERICAN,
  KATE ERICSON AND MEL ZIEGLER (AMERICAN, 20TH CENTURY), ...Kate Ericson and Mel Ziegler (American, 20th century), Swamp Lousewort (Pedicularis Palustris), 1988, sandblasted glass mirror, unsigned, 68" x 18". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• § KATE NICHOLSON (BRITISH 1929-2019) TITAN,
  § KATE NICHOLSON (BRITISH 1929-2019) TITAN, 1962 signed, dated and titled (to reverse), oil and gouache on paper/card, Schoellers Aspis dry stamp (lower right)50.75cm x 72.25cm (20in x 28.5in)Exhibited:Penwith Gallery, Spring Exhibition, 1964, no. 62, Titan, POA.The current work is characteristic of her abstract works of paper of the time, and could have been made in Greece.
• NATHANIEL K. GIBBS. "PORTRAIT OF
  NATHANIEL K. GIBBS. "PORTRAIT OF KATE," OIL (American, 1948-2018). Oil on canvas, 2006, signed "N.K. Gibbs" lr, 28 x 22 in., unframed.
• Kate Krause Ball (Mrs. Preston)
  Kate Krause Ball (Mrs. Preston) (American/Texas 1892-1973) "Mountainous Landscape" oil on canvas board signed lower right 10 in. x 14 in. in a period frame.
• KATE F. PIERCE AMERICAN SCHOOL
  KATE F. PIERCE AMERICAN SCHOOL LANDSCAPE PAINTING Massachusetts,Early 20th CenturyDepicts a Boston skyline from distant water side shores. Pierce worked and painted in Weymouth, Massachusetts during the late 19th and early 20th centuries. The painting is housed in a Motyka frame with finely carved edges.
• KATE BREAKEY (B. 1957), SET OF
  KATE BREAKEY (B. 1957), SET OF 10 LITHOGRAPHS IN COLOR,...Kate Breakey (b. 1957), set of 10 lithographs in color, each pencil signed lower right Kate Breakey, in contemporary frames, from Cactus Breakey portfolio. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• Kevin Francis Figure Of Lady with
  Kevin Francis Figure Of Lady with Hound painted with floral dress signed to base Artists Original Proof by John Micheal
• KATE SIMON, (3) PHOTOGRAPHS INCL.
  KATE SIMON, (3) PHOTOGRAPHS INCL. LEONARD COHEN Kate Simon (American, b. 1950), "Leonard Cohen, London, 1974" (printed 2014), "Neil Innes, London, 1975" (printed 2011), "Radio City Powder Room, 1983" (printed 2009), silver gelatin print, 1974 (printed 2009), pencil signed, titled and dated verso with studio stamp, loose and unframed, largest 11"h x 14"w (sheet)
• kevin Francis Wallplaque of Lady
  kevin Francis Wallplaque of Lady with Hat ''Faye'' (seconds)
• KATE BAIRD, THE LOUVRE, PHOTOPRINT,
  KATE BAIRD, THE LOUVRE, PHOTOPRINT, FRAME: 42-1/2 X 57 INKate Baird, The Louvre, Photoprint, Frame: 42-1/2 x 57 in,
• 1 piece. Autograph Letter Signed.
  1 piece. Autograph Letter Signed. Greenaway, K(ate). (London), Feb. 21, 1891. On message side of postal card. To Miss Crowe, apparently arranging a visit by a child. Framed.
• H & J Walter The Children of the
  H & J Walter The Children of the Rev John Harrison of Bishopstone: Cissie Jane holding flowers and a basket Kate seated pointing to a ball in her left hand and William standing with a hoop inscribed on the reverse silhouette cut out on paper heightened in gilt and pencil work background 15cm x 20cm (6" x 8") in a rosewood frame
• THREE LARGE PAPER CUT OUT SILHOUETTES,
  THREE LARGE PAPER CUT OUT SILHOUETTES, LATE 19TH/ EARLY 20TH C., TWO SIGNED "KATE PARKER, FECIT"Three large paper cut out silhouettes, late 19th/ early 20th C., two signed "Kate Parker, fecit" in ink, and one with verse "do you work as well as you can - and be kind" and dated 1903, all with pencil notations regarding Elbert Hubbard, probably added later, wear consistent with age, some toning and discoloration of paper, behind glass in faux tortoise frames, some loss to frames, each ss: 7 1/2" h. x 5 1/2" w.
• Myles Birket Foster (British 1825-1899)
  Myles Birket Foster (British 1825-1899) "First Steps". Watercolor on paper with the artist's monogram at the lower left corner apprx. sight size 6" x 8" French lined matting under a gilt panel and framed in a decorative gilt frame under glass (probably the original) overall apprx. 14" x 16". "First Steps"...Birket Foster R.W.S." hand lettered onto the gilt panel. Old Bonfoey Company label verso and artist information and a partial old hand written label. An extremely fine example of the artist's mature work of the 1870's. This composition is an intimate restatement of a subject the artist painted in oil entitled "The Girl With The Orange" in a British museum collection.
• KATE LACKMAN (OH, BORN 1954), EVE
  KATE LACKMAN (OH, BORN 1954), EVE Oil on canvas, signed lower right, presented in a contemporary wood frame, retains a signed Certificate of Authenticity from Miller Gallery to verso.
• Kate Raggett (British, Contemporary)/Untitled
  Kate Raggett (British, Contemporary)/Untitled FR1/Untitled NE #17/Untitled NE #18/three earthwork drawings in charcoal on paper, 59cm x 83cm/one bearing label for Jerwood Prize 2004
• Kaitlyn (Katie) Kuhn American,
  Kaitlyn (Katie) Kuhn American, 20th Century Fashion Designs: Two
  Estimate:$300-$400
• TWO COSTUME DESIGN SKETCHESeach
  TWO COSTUME DESIGN SKETCHESeach gouache on board laid to board, glazed and framed; the first: for Jennifer Jones in "Barretts of Wimpole Street", 1957, signed with initial lower right; the second: with a green fabric sample upper right; each 20 x 15 inches; 25 x 18 inches frame Condition:
• Kate Creeden. Technique. 2000,
  Kate Creeden. Technique. 2000, decals on board. 21¾ h × 22 w × 2 d in. estimate: $1,000–1,500. Signed, titled and dated to verso ‘Technique Kate Creeden 2000’.
• KATHLEEN (KATE) HONORA GREATOREX
  KATHLEEN (KATE) HONORA GREATOREX (NY/NJ/FRANCE, 1851-1913) The Washer Women, monumental watercolor on paper, signed lower right, marked Moret and dated 1891, depicting a long porch on a canal with a row of women scrubbing away at linens, housed in a mahogany panel frame with ornate gold painted gesso trim, OS: 33 1/2" x 41 1/2", SS: 20" x 29". Good condition. Kate was sister to Eleanor, who painted the other washer woman portrait in this sale.
• FIRST EDITION OF KANE'S ARCTIC
  FIRST EDITION OF KANE'S ARCTIC EXPLORATIONS. Philadelphia: Childs and Peterson 1856 two volumes in red leather over marbled boards.
• Peter Ramsey ''Mind the Gate Kate''
  Peter Ramsey ''Mind the Gate Kate'' 1963 Collograph Framed 24''x27''
• Kate Freeman Clark (American/Mississippi,
  Kate Freeman Clark (American/Mississippi, 1875-1957) "View of Farmers Working Near a Country Road, Shinnecock Hills", ca. 1895, oil on board, signed lower right "F. Clark", 35-1/2" x 44". Presented in its original molded and ribbed giltwood frame. Provenance: Descended in the family of the artist. Reference: Kathleen McClain Jenkins, Summers of 96 - Shinnecock Revisited: The Inspiration of Kate Freeman Clark by William Merritt Chase, Lauren Rogers Museum of Art, Laurel, Mississippi, 1996; Cynthia Grant Tucker, Kate Freeman Clark: A Painter Rediscovered, University Press of Mississippi, 1981. Kate Freeman Clark was the daughter of Edward Clark, an attorney in Vicksburg, and Cary Freeman Clark, a descendant of the politically prominent Walthall family of Holly Springs. After her father's death in 1885, Kate and her mother lived in the Walthall family home, known as the "Freeman Place". In 1891, Cary Freeman Clark enrolled her daughter in the Gardiner Institute, a finishing school for girls, in order to broaden Kate's educational prospects. Exploring the art section of the World Columbian Exposition in Chicago played a role in Kate's decision to pursue a career as an artist. She enrolled in the Arts Students League in New York where she studied under John H. Twachtman, attended watercolor classes taught by Irving Wiles and oil painting classes under William Merritt Chase, who would play an important role in her development as an artist. In 1896, for the first of six consecutive summers, Kate Freeman Clark attended Chase's outdoor painting classes at Shinnecock Hills, Long Island. The location was perfect for an outdoor art school where the focus was "plein-air" painting, a term made famous by the French Barbizon painters of the mid-19th century. Her works exhibited a little of Chase's influence but she soon developed into her own style of bold brush strokes while maintaining a solidity of form and a skillful subtle use of color and light. The Shinnecock years were her most productive and happiest as she was one of Chase's favorite students. At the turn of the century, Clark began submitting her work to important exhibitions using the name "Freeman Clark" in order to hide her gender. For a period of over twenty years Clark had many works accepted into prestigious shows, including The Corcoran Gallery, The Carnegie Institute, The Pennsylvania Academy of Fine Arts, The National Academy of Design, and The New York School of Art. William Merritt Chase's death in 1916 and the changing mode of art, introduced by the New York Armory Show of Cubist paintings in 1913, took the heart out of her career, and after losing her grandmother in 1919 and her mother's passing in 1922, Kate Freeman Clark decided to give up painting and return to the Walthall home in Mississippi. Ms. Clark bequeathed to the city of Holly Springs, Mississippi, her family home, her entire collection of paintings and funds to build a museum, known today as The Kate Freeman Clark Gallery. New Orleans Auction Galleries would like to thank Mrs. Bea Green of the Kate Freeman Clark Art Gallery, Holly Springs, Mississippi for her assistance.
• KATE HARRIS (BRITISH 1878-1949)
  KATE HARRIS (BRITISH 1878-1949) FOR THE ART UNION OF LONDON INKSTAND, 1902 plated copper and brass, signed 'Art Union of London 1902' and 'Katie J. Harris'19cm (7 1/2in), 33cm (13in)Literature: Pudney, S., 'Katie Harris: The Mystery Woman of English Art Nouveau', DAS Journal 39 2015, p.49, pl. 6 illus.